About this Video
There is an awesome power in the human voice, and when uncommon voices are blended for a shared goal (for example: children at play or marchers singing at demonstrations) we become a community of individuals absorbed in a shared communal experience. Technology is changing some fundamental aspects of how, when, where and why we communicate as humans beings, but our voices – blended in song – articulate shared goals, causes, ideologies passions, beliefs, faiths, work, rituals, and tell our collective stories. Our blended voices are the core of our humanity. Try it. You’ll love it.
Barnwell was a Professor at the Howard University College of Dentistry for over a decade. She has administered public health programs at Children’s Hospital National Medical Center and at Gallaudet University in Washington, DC. Barnwell is a commissioned composer, author, and actress, and is best known as a vocalist and recording artist who for 34 years, was a member of the a cappella ensemble SWEET HONEY IN THE ROCK. For 30 years, she has conducted her Building a Vocal Community Workshops, and led Community Sings, across the United States and on three other continents. She encourages everyone to feel the awesome power of their voices blended in song. “All that is required is a willingness to sing.”
About the Speaker
Dr. Ysaye M. Barnwell, a native New Yorker now living in Washington, D.C., is the only child and perfect blend of her mother, a registered nurse, and her father, a classical violinist. Dr. Barnwell studied violin for 15 years beginning at age 2 ½, and majored in music through high school. With this background, she went on to earn the Bachelor and Master of Science degrees in Speech Pathology (SUNY, Geneseo, 1967, 1968), Doctor of Philosophy in Speech Pathology (University of Pittsburgh, 1975), and the Master of Science in Public Health (Howard University, 1981). In 1998, Dr. Barnwell was awarded the Honorary Doctor of Humane Letters degree by her alma mater, SUNY Geneseo. She recently received the Honorary Doctor of Humane Letters degree from the Meadville Lombard Theological Seminary in Chicago, IL (2009) and the Virginia Theological Seminary (2011); and in 2012, all members of Sweet Honey In the Rock, were awarded the Honorary Doctor of Letters Degree from Chicago Theological Seminary (2012).
For over a decade, Dr. Barnwell was a professor at the College of Dentistry at Howard University, after which she conducted community-based projects in computer technology and the arts, and administered health programs at Children’s Hospital National Medical Center and at Gallaudet University in Washington, DC. Dr. Barnwell joined Sweet Honey In The Rock® in 1979, and her training as a Sing Language Interpreter led her to facilitate the group’s tradition of including a Sign Language Interpreter in the ensemble. After 34 years, Barnwell retired from Sweet Honey In The Rock to pursue her other interests.
Dr. Barnwell appears as a vocalist and/or instrumentalist on more than thirty recordings with Sweet Honey In The Rock as well as other artists. She has, for the past thirty years, spent much of her time off stage working as a master teacher and choral clinician in African American cultural performance. Her workshop “Building a Vocal Community®: Singing in the African American Tradition” has, during the past twenty-eight years, been conducted on three continents, making her work in the field a significant source of inspiration for both singers and non-singers, a model of pedagogy for educators, cultural activists, and historians.
Dr. Barnwell has been a commissioned composer on numerous choral, film, video, dance and theatrical projects including Sesame Street, Dance Alloy of Pittsburgh, David Rousseve’s Reality Dance Company, The New Spirituals Project, GALA Festival Choruses, MUSE: Cincinnati’s Women’s Chorus, The Steel Festival: Art of an Industry (Bethlehem, PA, The King’s Singers in England In 1996 she was awarded the Bessie Award for her score Safe House: Still Looking, commissioned by Liz Lerman Dance Exchange. The year 2001 saw the premiere of the work Suite Death, a setting of four poems by Langston Hughes for baritone, choir and orchestra, commissioned by the Plymouth Music Series in Minneapolis, MN. In Feb. 2003, the Choral Arts Society of Washington, D.C. premiered Truth Pressed to Earth Shall Rise, a choral work, in honor of Dr. Martin Luther King, Jr. Most recently, she was commissioned by the Waterbury Symphony Orchestra and Mattatuck Museum in Waterbury, CT to compose a musical setting for Marilyn Nelson’s epic poem Fortune’s Bones: The Manumission Requiem. This cantata premiered in Waterbury on May 9, 2009 and there have been three performances since. In 2011 Barnwell curated the year long FORTUNE’S BONES PROJECT® for the Clarice Smith Performing Arts Center, University of Maryland which featured public discussions and two performances of the cantata. Several other communities are now exploring how they might present the Project.
Barnwell’s music, published by Barnwell’s Notes, Inc. and distributed by The Musical Source, Washington, D.C., has been performed and recorded by numerous choral ensembles and individual artists as well as Sweet Honey In The Rock.
In addition to these endeavors, Dr. Barnwell is an actress whose credits include voice-over narration for film, video and radio productions including the NPR documentary: W.C. Handy’s Blues, appearances in the film Beloved, directed by Jonathan Demme, and the TV show A Man Called Hawk. She is producer of Sweet Honey’s twenty-fifth anniversary recording, …TWENTY-FIVE…, and Endings and Beginnings: Sweet Honey In The Rock Community Chorus. Her workshop Building a Vocal Community® has been produced as a boxed instructional set: Singing in the African American Tradition. Volume Two of this set will be released in June 2009 marking the 25th year of the workshop and outreach to ever expanding audiences. She is editor of, Continuum:The First Songbook of Sweet Honey In The Rock. Her first children’s book, No Mirrors In My Nana’s House, illustrated by Synthia Saint James and published by Harcourt, was released in 1998. A second children’s book, We Are One, illustrated by Brian Pinckney and published by Harcourt, was published in 2008. In October 2000, Sounds True released UM HMM, a feast of personal and traditional African American stories, poems and songs for children produced by Windhorse Productions.
Four axioms have proven significant in Barnwell’s life. To whom much is given, much is required. As one door closes, another door opens. Everything matters. Say Yes!